Lorre receives Ustinov Award at Banff

Prolific author and professional producer Chuck Lorre can get the Mister Peter Ustinov Comedy Award within the approaching Banff World Media Festival. Lorre, whose current condition of CBS shows -- "two and a half Males," "The Big Bang Theory" and "Mike & Molly" -- are hits, relies at Warner Bros. His previous series include "Sophistication Under Fire," "Dharma & Greg," "Roseanne" and "Cybill." Director James Burrows, who's a longtime friend of Lorre since the two have labored together for several years, received the Ustinov recognition a year ago. The fest, that's situated inside the Canadian Rockies featuring plenty of TV talent, runs June 10-13. Contact Stuart Levine at stuart.levine@variety.com

Kristin Chenoweth Responds to ABC's 'GCB' Debate

Despite handling a title overhaul, ABC's new "GCB" remains shrouded in debate over the actual way it signifies Christian followers.The show initially was titled "Good Christian Bitches," following a Kim Gatlin novel that inspired it, then re-named to "Good Christian Belles" and finally for the text-friendly acronym. Nonetheless its over-the-top depiction of Dallas society which is chapel ladies probably will worry detractors."In my opinion people ought to provide an chance,Inch Kristin Chenoweth, who plays secondary school outcast-switched-full bee Carlene Cockburn, notifies "The Hollywood Reporter." "You just can't judge the sunday paper by its cover. I certainly wouldn't do just about anything which will poker fun at my own, personal belief. Situation chocolate cake, and it becomes an appreciation letter to Dallas."Getting developed Christian in Oklahoma, the Tony-winning actress and singer states she relates towards the series' portrayals."I believe that it is funny," she states. "From the maturing, it absolutely was always the identical lady who got the solos inside the chapel choir. And there's always the woman within the bake purchase or perhaps the chapel dinner who preferred to outcook everyone. The simple truth is, due to the fact you're a Christian does not necessarily mean you're perfect.""Many of us are human," she is constantly on the condition. "And therefore this show shows the humanity from this, which i love it. I'm one of these simple. I had been elevated because world. It could occur in the temple, in the community, but we just set ours in the chapel." The Hollywood Reporter

South america Identity Crook Arrested Using Fake ID With Photo of Jack Nicholson

File under bonehead move during the day: A 41-year-old guy in Recife, South america was arrested and billed with using false documents and falsification of public document as he attempted to spread out a banking account with numerous fake IDs in the possession, including one having a photograph of Jack Nicholson. Based on Globo.com (through the Daily What), the accused was trying to spread out a free account within the title of 1 John Pedro dos Santos when government bodies caught on. "There's no resemblance between your suspect and actor," notes the first report. Closer inspection pegs the photo as Nicholson's 2003 portrait by acclaimed digital photographer Martin Schoeller, released within the pages of EW years back... so a minimum of the man's got good taste? [Globo through the Daily What]

Charlotte now Chapel forms phone-hacking suit

LONDON -- Charlotte now Chapel, who told a U.K. media inquiry to be hounded by Rupert Murdoch's journalists when she would be a teen singing sensation, received 600,000 pounds ($951,000) Monday inside a settlement from News Worldwide and stated she'd been sickened in what she discovered invasion into her private existence. Chapel was present at London's High Court for that reading through of the statement solving her declare that 33 articles within the now defunct News around the globe tabloid were the merchandise of journalists unlawfully hacking into her family's voice mails. Outdoors court, Chapel stated: "What I have found because the lawsuit went on has sickened and disgusted me. Nothing was considered not allowed by individuals who went after me and my loved ones, just to earn money for any multinational news corporation." The settlement to Chapel includes 300,000 pounds ($476,000) in legal costs along with a public apology but Chapel stated she didn't believe News International's apology was sincere. "I've also learned that regardless of the apology that the newspaper just succumbed court, these folks were prepared to visit any measures to avoid me subjecting their behavior," she stated. She added: "They aren't truly sorry. They're just sorry they were given caught." Lawyers for Chapel, 26, and her parents, James and Maria, confirmed that terms have been agreed with News around the globe writer News Group Newspapers. News Worldwide, a division of Murdoch's News Corp., has attempted difficult to keep phone hacking cases from likely to trial. It's released its very own compensation program, overseen with a respected former judge, and it has compensated out millions in out-of-court pay outs for around 60 cases including one introduced by actor Jude Law, comedian Steve Coogan, former soccer star Paul Gascoigne and actress Sienna Burns. Judge Geoffrey Vos has stated News Worldwide had made "superhuman efforts to stay every situation." The legal cases stem from facts of phone-hacking along with other illegal tactics in the News around the globe, where journalists routinely intercepted voice mails of individuals making the news inside a relentless look for scoops. Murdoch closed the 168-year-old tabloid in This summer among a wave of public revulsion over its 2002 interception of voice mails owned by military services weapons 13-year-old girl, Milly Dowler, who had been later found killed. Murdoch and the company compensated millions towards the Dowler family. The scandal has created three parallel police research along with a U.K. judge-brought inquiry into media ethics, where Chapel spoke from the intense, frequently overwhelming, media invasion into her family's private existence. Contact the range newsroom at news@variety.com

J.J. Abrams And Paramount Extend First-Look Deal Through End Of 2015

EXCLUSIVE: I’ve just learned that JJ Abrams and his Bad Robot production banner partnered with EVP Bryan Burk are one of, and perhaps the, most important relationships at Paramount. So this is no surprise. But betcha the terms were rich indeedto extend their first-look deal through the end of 2015. The deal dates back to 2006. Grosses on Mission: Impossible – Ghost Protocol are now $670M globally while those for the Star Trek reboot hit $385M worldwide. Abrams is right now shooting the Star Trek sequel which he’s producing and directing. Under the Paramount deal, Abrams also has made Cloverfield (producing) and Super 8 (producing and directing), both of which did well at the global box office.

'Safe House' tops holiday B.O.

'Safe House'Despite three new entries, holdovers dominated the President's Day weekend box office.Altered just slightly from Sunday's estimates, Universal's No. 1-ranking "Safe House" tallied a projected $28.4 million over the long President's Day weekend vs. an earlier estimated $28.5 million four-day take."Safe House," which fell only 41% using a three-day comparison in its second frame, swapped places with last weekend's domestic B.O. champ, Sony's "The Vow." That pic, from Screen Gems and Spyglass Entertainment, tallied a revised estimated $26.6 million through Monday, down a tick from the studio's $27.4 million four-day estimate released on Sunday."The Vow" still is ahead cumulatively, with $88.5 million domestically; "Safe House" has tallied so far $82.6 million.In third place, Warner Bros.-New Line's solid family pic "Journey 2: The Mysterious Island" grossed an estimated $26.4 million through Monday. Pic's three-day take, at $19.9 million, repped a drop of just 27% compared to the pic's debut tally last weekend. "Journey 2" has cumed $59.5 million domestically.Among the weekend's newcomers, Sony's "Ghost Rider: Spirit of Vengeance" fared best. The film grossed in four days a slightly higher estimate of $25.7 million vs. $25.5 million. "Ghost Rider," co-financed by Hyde Park for a reported $57 million, debuted at 3,174 Stateside locations, of which 2,352 (or 74%) were in 3D. The format contributed 65% of the weekend gross.Fox's action comedy "This Means War" bowed this weekend, performing in line with (if not a tad above) most industry expectations with $20.4 million over the long holiday.Meanwhile, Disney's Studio Ghibli toon "The Secret World of Arrietty," based on kids classic "The Borrowers," grossed a projected $8.1 million -- a softer four-day take than some expectations. Contact Andrew Stewart at andrew.stewart@variety.com

Shawn Levy Talks New Frankenstein

Monster(s) will be mo-capVarious Frankenstein projects have been coming together on the operating table in recent years; two have had the necessary surge of studio power to help them rise up; and Real Steel director Shawn Levy has just been talking to Collider about the one that belongs to him.Broad details about Max Landis' screenplay have already emerged, not least from Landis himself. The Chronicle writer explained in a great interview with Shock last year that he's attempted to coherently combine elements from Mary Shelley's original novel, and from the unwieldy subsequent Frankenstein mythologies that have built up over the years. His story is from the point-of-view of Igor, who 'everyone knows' is Frankenstein's hunchback lab assistant... except that he isn't, and kind of never was. Check out Shock's interview for the full history...So the big reveal from Levy is not the story but the approach: his monster will be achieved with the same technology that brought the Real Steel robots to life."My whole approach with Frankenstein is based on a mo-cap SimulCam playback," Levy explains (if "explains" is quite the word). "I'll go to Europe, shoot the movie, do scenes with the real actors and I'll be able to see the motion-captured monster in real time due to SimulCam.It's not a dude with scars on his face. It's not just kind of latex and a costume; it will be a motion-capture performance of the monster, and I can give away maybe not too much by saying there's more than one monster in our version."Levy says that, rather than causing a potential problem per se, Stuart Beattie's I, Frankenstein, adapted from Kevin Grevoux's comics and starring Aaron Eckhart, has made Fox raise their game."I, Frankenstein is a wildy different movie to ours," says Levy (it's a modern-day story that casts the monster as a hero in a war between clans of immortals), "but in the culture it's another Frankenstein movie, and it's gonna come out next year. So if anything, that movie has kind of raised the bar for the studio and I to cast the living hell out of our Frankenstein. Everyone now knows, because people have seen Chronicle,that Max Landisis a hell of a goddamn writer and his script for Frankensteinis awesome.We've gotta make sure we cast it really, really right, and so that's the moment we're in right now."There's no start date yet, but while you're waiting, make sure you catch Chronicle while it's still in cinemas.

A helicopter ride home

Matthew Libatique and Harrison Ford After enduring some of the more long-winded awards speeches in recent memory -- even by ASC standards -- the characteristically shy Harrison Ford, who was given the Board of Governors laurel, kept his remarks mercifully short, as did those who won competitive prizes at the d.p. kudofest Sunday at Hollywood and Highland's Grand Ballroom. Ford, whose reel included d.p. touchstones "Apocalypse Now" and "Bladerunner," gave a shoutout to dolly grips, who made it easy for lensers like presenter Matthew Libatique, to mimimize Ford's time on set. The prize? A ride home on Ford's helicopter.

Ratings: American Idol Holds Steady in Demo

Steven Tyler, Jennifer Lopez and Randy Jackson Those writing about the inexorably declining ratings of American Idol will have to stand down for at least a day as the amateur talent competition stayed even with last week in the industry-prized 18-to-49 demographic, according to preliminary Nielsen figures. Now, we'll have to see if the cliff-hanger involving the hopeful who fainted and fell off the stage gooses the ratings for Fox. (By comparison, fair or not, NBC's The Voice grabbed 17.69 million viewers with a 6.6 demo rating Monday night on its first regularly scheduled airing.) Read our American Idol recap Meantime, the premiere of CBS' Person to Person reboot, featuring George Clooney, Jon Bon Jovi and Warren Buffett, got weak numbers, and ABC's comedy block solidly stayed steady or inched up from a week ago In its new time slot, Rock Center with Brian Williams, spotlighting Meredith Vieira's interview with the White House intern who's flogging her book about her affair with President Kennedy, wound up a distant fourth. Both newsmagazines posted a 1.1 demo rating. In prime-time last hour, CSI: Crime Scene Investigation dropped some 20 percent from its last original episode a fortnight ago, when Marg Helgenberger's swan song was the attraction. Check out the rest of the day's news on TVGuide.com 8 p.m.CBS: Person to Person 6.02 million viewers (1.1 demo rating)ABC: The Middle 8.48 million (2.6); Suburgatory 7.27 million (2.5)Fox: American Idol 18.94 million (6.0) NBC: Whitney 4.07 million (1.5); Are You There, Chelsea? 3.68 million (1.4)CW: One Tree Hill 1.29 million (0.7) 9 p.m.CBS: Criminal Minds 13.61 million viewers (3.4 demo rating)ABC: Modern Family 12.85 million (5.5); Happy Endings 6.90 million (3.0)Fox: Mobbed 8.77 million (3.0)NBC: Rock Center with Brian Williams 5.28 million (1.1)CW: Remodeled 713,000 (0.4) 10 p.m.CBS: CSI: Crime Scene Investigation 11.44 million viewers (2.7 demo rating)ABC: Revenge 7.58 million (2.5)NBC: Law & Order: Special Victims Unit 6.74 million (2.2)

Ridley Scott rejects Harrison Ford whispers

This Year's week we introduced this news that Andrew Kosove, producer round the approaching Edge Runner follow-up, had declined whispers that Harrison Ford reaches predicts join the cast. Now we could go one better, with Ridley Scott breaking cover to blow people whispers in the water. Kind of...InchNo," mentioned Scott, when asked for if he'd spoken with Ford, before stopping missing ruling returning out completely. "Certainly not,Inch he ongoing, "I'm unsure that that'll be considered a tale point, so I am unsure. However when it were, nothing would please me more."Hope that's nice apparent then. Scott did be capable of clarify the movie's status a little more , explaining that as of this early on there's not really a script doing the models."We're still in discussions about whether it must be a prequel or follow-up," he describes. "It is really an interesting conversation. I'm winding up in authors and that i also have attended [original Edge Runner film author] Hampton Fancher which he still talks the speak. He's immediately. I spoken with him now. But we don't really possess a script yet."Possibly more exciting might be the nugget he ongoing to exhibit about Prometheus, mentioning the potential for a follow-up to his space-set journey."I merely thought Prometheus am enjoyable - returning to sci-fi am fun - that we preferred to [go back to Edge Runner, too]. I'm also thinking about what is I'd do for just about any Prometheus 2."That's it folks, that's your brand-new Ridley rumour for today! Prometheus opens inside the Uk on 1 June 2012.

Suburgatory's Jeremy Sisto on George's XXL Discovery: "It's His Achilles Heel"

Jeremy Sisto The ultimate time George Altman found condoms within the daughter's mattress room on Suburgatory, he switched all their existence upside lower and moved them from Manhattan to suburbia. Since he's found them again, expect George to behave in the similarly crazy well as over-the-top fashion. "It's his Achilles heel," Jeremy Sisto notifies TVGuide.com. "He is not ready to handle his child maturing.Inch Not aware reunion! Alicia Silverstone moving (while using homies) to Suburgatory In Wednesday's episode (8:30/7:30c, ABC) George switches into stress mode and tries planning a game title title evening while using women to keep Tessa (Jane Levy) in your house - and from her older boyfriend. "He thinks that Jenga will most likely be considered a lot cooler in Tessa's eyes that she's in some manner likely to postpone having sex for the next 10 years or something like that like this,Inch Sisto states. However, due to the fact George desires to keep Tessa guaranteed in the tower does not necessarily mean George won't be obtaining a chuckle that belongs to them. "He's doing have a very fling with someone he wasn't expecting to experience a fling with to in some manner prove he is not a prude," Sisto states. "He encounters a whole whirlwind of feelings and processes just a little as being a child." Suburgatory boss on George and Dallas: Would they or won't they? Whether it's a huge dental bill or else getting backed for just about any country club membership, Sisto states George's inclination to blow things from proportion is among his favorite qualities in the character. "George's overreaction to things and also the impulsiveness is a factor the premise in the show is founded on,In . according to him. "It's so fun to be capable of be crazy after a period of dramatic things." However, this sudden warmth in George's, additionally to Tessa's, sex existence brings a significantly much deeper problem for the surface for your close-knit father and daughter. "George has always kind of hidden his romantic existence from Tessa so she's not prepared to handle it herself even though she's more willing to handle it than her father," Sisto states. "Are both stuck within this type of relationship they have experienced for this kind of very very long time. Any change will most likely be very difficult to date because the inclusion of others.Inch Tessa and George's desire to not welcome anybody to the Altman household is a larger dilemma later this season when George moves "very fastInch having a completely new love interest carried out by Alicia Silverstone. And there's still the issue of George's Christmas hug with Dallas (Cheryl Hines). "They're really, for reasons uknown, in denial from the feelings for each other then Alicia Silverstone's character helps make the problem,Inch Sisto states. "It's positioned on the trunk writers, but it's ever present - in every single episode there's a part of that. It's heartbreaking to check out because you just need those to get together.Inch

The Avengers Superbowl spot arrives online

For those of you with little to no interest in pigskin-chucking, Marvel have helpfully released their Superbowl advert for The Avengers online. And brief as it is, there's still some new stuff in there to keep the fans excited.The new trailer is completely dialogue-free, but does show a few new snippets of action, including Thor standing atop the Chrysler Building and Black Widow looking slinky.Check out the new teaser, below... Meanwhile, Joss Whedon was recently part of an Avengers Twitter chat, and took the opportunity to put those Spider-Man rumours to bed once and for all. "There is no Spider-Man cameo," said Whedon. "But the Avengers do turn off the dark." Intriguing...Tom Hiddleston was also present, and he had a few words to say about how Loki has changed for The Avengers. "More mischievous. More evil. More hubristic. More delusional. More damaged. More badass," he explains. That's that cleared up then.The Avengers opens in the UK on 27 April 2012.

Exclusive Hunky Dory Trailer

Minnie Driver, Bowie and ShakespeareYou may not believe us without watching a clip yourself, but Minnie Driver does an extremely good Welsh accent in her own approaching role in feel-good transitional phase film Hunky Dory.Occur seventies Swansea, it informs the storyplot of drama teacher Viv (Driver) as she attempts to ger her students into sing, dance and act their way with an ELO and Bowie-inspired musical version from the Tempest.Alarge, relatively unknown ensemble cast of youthful stars fill the ranks, lead by shy Davey (Ironclad's Aneurin Barnard) and "town bike" Stella (Danielle Branch), creating what looks to become a happy-go-lucky tale of youthful love, sun-drenched summer season and Bowie's musical genius.Have a look in the trailer yourself and let's read your comments - will we have another Billy Elliot on our hands? It's certainly not really a Sex Lives From The Potato Males... Plus, are you able to believe how good Minnie's accent is?Tell us within the comment box below. Hunky Dory has gone out March 2.

Harrison Ford honored by cinematographers

FordHarrison Ford will receive the American Society of Cinematographers' 2012 Board of Governors Award at the 26th annual ASC Outstanding Achievement Awards gala on Feb. 12."Harrison Ford is a talented and focused actor whose professionalism has earned the admiration of our members," says awards chairman Richard Crudo. "His diverse, and still evolving, body of work includes too many memorable motion pictures to list."Ford, who earned an Oscar nomination in 1986 for "Witness," is currently prepping sci-fi pic "Ender's Game," and he will star in "42" as Branch Rickey, the baseball executive who helped shatter baseball's color barrier by making Jackie Robinson the first African-American player.The ASC Board of Governors Award is given annually to an individual who has made extraordinary achievements to advancing the art and craft of filmmaking. Some previous recipients include Julia Roberts, Warren Beatty, Francis Ford Coppola, Martin Scorsese and Steven Spielberg. Contact Christy Grosz at christy.grosz@variety.com

Ewan McGregor And Eva Green Fall In Love In New 'Perfect Sense' Featurette

Ewan McGregor and Eva Green charmed audiences in their apocalyptic love story "Perfect Sense" at Sundance a year ago, and IFC Films ended up picking up the rights to the movie soon after. The film is currently available on SundanceNOW and Cable VOD, and it's finally headed into theaters on February 3. Ahead of that, MTV News got our hands on an exclusive featurette of the project in anticipation of its release. The movie tells the story of two strangers brought together in the middle of a worldwide epidemic. Michael (McGregor) is a chef and Susan (Green) is a scientist who meet at the same time she is discovering that there is a new illness that emphasizes emotions while destroying the senses. Both of them contract the disease at the same time and it brings them closer together. They end up falling in love while they struggle to live with rampaging emotions and their loss of senses. "I think its a beautiful story that has far-reaching consequences and appeals," director David Mackenzie says in the featurette. The central core of the story is that unattached people will come together when placed in a crisis, and "theres something very beautiful about that," he said. The featurette includes an interview with Green at last year's Sundance where she talks about what drew her to the project. Apparently it was the unique qualities of the script that made her want to come on board. "This script was very particular, it was very unconventional, very brave, and very moving," Green said. "I thought it was a really cool story, and also I found the love story very powerful." "Perfect Sense" is currently available on SundanceNOW, VOD, Amazon Streaming, iTunes, XBox ZUNE and PS3 Video Unlimited. Are you planning on checking out "Perfect Sense" now that its available? Tell us in the comments section below or on Twitter!

Watercooler: One Tree Hill's Last Stand

Richard Burgi, Sophia Bush It's the beginning of the end and we are not OK with that.While some folks may feel that One Tree Hill has passed its prime, there are those diehard fans who still think life in the small town that survived the WB-CW merger could go on and on. Like Celine Dion's heart. Only with super-sensitive voice-overs and crazy nannies.For those of us who tuned in to the final season's premiere last night, that belief was only compounded by the pile of stories that were set up to help drive this last batch of episodes. In the opening three minutes alone, we got flash-forwarded glimpses of mayhem to come that could fuel an entire 10th season. From the shot of Dan loading a gun alongside Chris Keller and his Jimmy Neutron hair to the psychological issues driving Clay's sleepwalking, it's clear there's a still lot going on with these characters, some of whom have been around since Day 1 (yay, Brooke and Haley!), some we're finally starting to like (that would be you, Chase). To be completely honest, an entire episode of Brooke driving around with the twins, narrating her feelings about growing up in Tree Hill would not be a bad thing at all. She, more than anyone, has evolved the most and we lovelovelove Sophia Bush.But alas, the show's fate has been sealed, so we'll have to settle for what executive producer Mark Schwahn calls "a 13-part miniseries" that will be "a little darker and a little more controversial." What does that mean? Could be that we're gonna see some sort of body count before the finale (and not just because of that clip of Haley identifying a body in the morgue or the rumors of Nathan's kidnapping). Important characters have died in the past and considering how many wackadoos have come and gone, a few deaths could create some serious lather for the soap's swan song. Which, knowing this show's killer taste in music, will probably be some cool emo ballad set to a montage of moments we'll never forget.Are you sticking with the show 'til the end? Or are you over the Hill?Subscribe to TV Guide Magazine now!

Fox faces tough calls on dramas

Fox entertainment prexy Kevin Reilly stated no cancellations could be introduced at TCA.'Terra Nova''House''Fringe'"Terra Nova," "House" and "Fringe" have existence for the time being, however the clock is ticking.Confronted with tough choices on a number of series facing the precipice of cancellation, Fox entertainment topper Kevin Reilly told scribes in the Television Experts Assn. on Sunday he must gather his professional troops and producers to find out which bubble shows will be presented a brand new season and which is because of the ax.The costly newcomer drama "Terra Nova" may be Reilly's most pressing problem. Shot around australia, the skein has been doing all in the actual rankings -- a 3.4 rating/9 be part of the 18-49 demo and 9.7 million total audiences -- although not in addition to expected prior to the fall season started. "The perception is it got from us, however the bar was set enormously high," Reilly stated. "If this sounds like all we created, we'd make cash on it. The crowd gave it ample chance to reject it plus they did not."However, Reilly stated: "We spoken this past year that there have been chefs in the kitchen area which designed for challenging. At this time we are searching at everything and getting creative conversations."Due to the skein's extensive effects, production would need to start by the following month if Reilly decides to provide "Terra Nova" new existence for next fall. For "House," that is presently in the eighth season, Reilly stated both sides decided to come to a decision right after Jan. 1."It's difficult to assume the network without 'House,'" stated Reilly, who added that you will find no plans for any spinoff towards the David Shoreline-produced medical drama. "It's really no secret it will likely be a detailed call."Since the show is created by NBC's Universal Television, the Peacock would have the choice of getting it back by itself internet if Reilly cancels the show. NBC entertainment chairman Bob Greenblatt stated a couple of days ago at TCA this scenario could be unlikely because of the show's expense.If Fox does choose to leave behind the Hugh Laurie starrer, Reilly stated Shoreline and the authors could be given enough time to provide the series an effective send-off.For Warner Bros. drama "Fringe," Reilly managed to get a place to express he wasn't offering a "soft cancel," but following his explanation the show costs the internet huge amount of money, its chances for renewal appear dim."This is an costly show and manages to lose lots of money,Inch Reilly stated. "You can't really earn money onto it and we are not in the industry of taking a loss.InchReilly stated each renewal or cancellation decision can not be produced in vacuum pressure. Before choosing to cancel a show, he want to need to have an chance to check out what might change it. That's frequently impossible, however. "There need to be trade-offs. We simply possess a finite quantity of shelf space," he stated. "It is the character of the overall game, but we do not seem like the fate from the network is riding on these choices."As continues to be the situation within the last decade, Fox is anticipating the debut of "The American Idol Show,Inch that will preem Jan. 18. Since Jennifer Lopez and Steven Tyler established themselves there will not be that curiosity factor to usher in audiences, Reilly anticipates rankings for that 11-year series to subside."I expect so that it is lower this year. It is the natural existence cycle for your show," he stated. Reilly accepted to approaching changes for that net's other musical competition series, "The X Factor," but wouldn't elaborate. Several have thought that host Steve Johnson could be departing, and perhaps judge Nicole Scherzinger too. Reilly defended Johnson, saying hosting responsibilities can frequently become more difficult that certain would assume."It is a harder job than you would think,Inch Reilly stated. "Whether Steve may be the guy or otherwise, which comes underneath the heading of development in general, but you will see tweaks within the show."Around the animation side, Fox introduced it had been developing a new toon division which will offer latenight programming on Saturdays beginning next The month of january. Content is going to be produced for the net along with other digital platforms.Reilly's hope would be that the division, to become run by Adult Go swimming vet Nick Weidenfeld, would have the ability to draw youthful-males from NBC's venerable "Saturday Evening Live" and may also function as a breeding ground for primetime -- either his or her own shows or wraparounds for other Fox programming.Initially, "The Simpsons," that will air its 500th episode February. 19, would be a wrap-around for "The Tracey Ullman Show."In other programming news, low-ranked "Allen Gregory" has formally received its walking papers and most the figures from "Glee" will graduate in May, with a brand new cast to reach next season. No spinoff is planned.Following the prosperity of "New Girl," Reilly remains looking forward to the potential of getting more multi-cam sitcoms to Fox -- regardless of the critical backlash and modest rankings of "I Personally Don't Like My Teenage Daughter.""I will not give on the format. I understand some shows are excruciatingly bad, though I do not mean some of ours are," he joked. "Audiences clearly wish to watch them again." Contact Stuart Levine at stuart.levine@variety.com

'Alvin as well as the Chipmunks: Chipwrecked': Nude Guy Billed with Draining at Screening

Inside a recent 'Alvin as well as the Chipmunks: Chipwrecked' screening, everyone else was offered not just squeaky pop song covers. In line with the Chicago Tribune, 34-year-old Edward L. Brown removed naked within a showing in the family-friendly follow-up inside a Chicago cinema, then sitting at the front row in the theater to relish the comfort in the movie. Audience people, which incorporated children, were soon presented, while Brown was asked for to brighten. He wound up being billed with sexual exploitation from the child and misdemeanor topsy-turvy conduct. Just what triggered this person to lower trou'? Apparently, it was not the indegent critical a reaction to 'Chipwrecked.' According to police, Brown mentioned a girl permit him to to the theater, promising him sex and drugs if he sitting at the front row and needed off his clothes. He's now presently in jail. RELATED: 'Alvin as well as the Chipmunks' With the Amounts [via Chicago Tribune] Follow Moviefone on Twitter Like Moviefone on Facebook

Screen Actors Guild Awards Voters Guide 2012: Film

Outstanding Performance by a Male Actor in a Leading Role Demin Bichir, "A Better Life""Better than what?" one might wonder after seeing director Chris Weitz's tale of Carlos, a gardener and illegal alien in the Wild West town of Los Angeles. Carlos has a clear-eyed view of his condition, and it ain't pretty. Yet he loves America and wants his teenage son to love, and have, what's great about this country. The film could have been stunt-cast (imagine Tom Cruise with a Mexican accent), but instead the filmmakers went for authenticity. And authenticity they gotin nationality and in depth of portrayalin Demin Bichir, a Mexican megastar of stage and screen.Bichir turns Carlos into a modern-day pioneer, unyielding against adversity, but quietly so. This is no Shakespearean character railing before cataracts and hurricanes. Carlos is strapped to the top of a palm tree, hacking away at old fronds, when he espies his newly purchased truck being purloined by a fellow gardener. Carlos expertly shinnies down the tree, but he's too late. In a single moment, Bichir silently reveals Carlos' disgust at his fellow man and fear for his livelihood, tempered with a belief that a better life awaits.The film reflects Bichir's upbringing. "My brothers and I, we grew up inreally difficult neighborhoods, and it was because of the arts, not only theater, that we got civilized," he told Back Stage. "So, when my friends would be doing nothing, I would go to the National Theatre Company and rehearse a serious play, for four hours, and then at night perform, and be responsible for something in my life." To create Carlos, the actor has said, he interviewed "a lot of paisanos working in gardens in Los Angeles." Those men should be proud of the quietly heroic portrait Bichir paints.Demin Bichir was nominated for a SAG Award in 2009 as a member of the "Weeds" ensemble. George Clooney, "The Descendants" George Clooney's extensive roster of characters includes a soulless corporate downsizer ("Up in the Air"), a morally ambiguous attorney with a gambling problem ("Michael Clayton"), and a steely CIA operative ("Syriana"). In "The Descendants," tackling perhaps his most complex role to date, he plays a self-centered executive whose entire universeand his sense of place in that universedisintegrates after his wife has a horrific accident, leaving her in an irreversible coma. For the first time, he is forced to face the failure of his marriage and become a responsible and loving father to his two young daughters, a role that is initially incomprehensible to him.But over the course of the film, Clooney creates, with subtlety and nuance, a man evolving intellectually, emotionally, and morally. By the end, he is a mature figure with a keen moral compass. He has morphed into not only a real dad but also a civic-minded individual who makes a choice because it's the right one, despite the financial sacrifice he must make. Still, at no time does Clooney's character lose his sense of humor. Indeed, it grows more defined. Part of what makes the actor's performance so notable is his ability to combine comedy and drama, sometimes within the same moment.For this performance, George Clooney has won a National Board of Review Award and has also been nominated for a Golden Globe Award. He won SAG Awards in 1996, 1997, 1998, and 1999 as a member of the "ER" ensemble and was nominated in 1995 as a member of the "ER" ensemble, in 1996 and 1997 individually for "ER," in 2006 for "Syriana" and as a member of the "Good Night, and Good Luck" ensemble, in 2008 for "Michael Clayton," and in 2010 for "Up in the Air." He is also nominated this year as a member of the ensemble of "The Descendants." Leonardo DiCaprio, "J. Edgar" Leonardo DiCaprio made the transition from juvenile heartthrob to serious actor when he tackled the reclusive, paranoid Howard Hughes in Martin Scorsese's masterful "The Aviator" and the sensitive husband in "Revolutionary Road." But he solidifies his heavyweight status with a stunningly detailed depiction of another neurotic, powerful historical figure in Clint Eastwood's time-tripping biopic "J. Edgar." As the driven head of the FBI, DiCaprio eradicates every trace of the baby-faced kid in "The Lagoon" and "Titanic" to create a complex portrait of a man obsessed with seeking out enemies, personal and national, real and imagined.The role has all the earmarks of awards bait: straight actor playing a repressed gay man, tons of aging makeup, and the added bonus of cross-dressing. But DiCaprio goes beyond these potential showy flourishes. His Hoover is a tyrant, a crusader, and a lover (it's the love that dare not speak its name, but it's definitely there). In the scene in which his mother (a steel-spined Judi Dench) informs him that she'd rather have a dead son than one who's a "daffodil," Hoover's repressed passions eloquently play across DiCaprio's features. You can see dozens of emotions at waradoration for his mother, respect for what he sees as his duty to keep his homosexuality secret, and the need to express his love for his close associate Clyde Tolson.That's just one moment in the strongest performance of DiCaprio's career so far.For this performance, Leonardo DiCaprio has also been nominated for a Golden Globe Award. He was nominated for SAG Awards in 1997 as a member of the "Marvin's Room" ensemble, in 1998 individually and as a member of the "Titanic" ensemble, in 2005 individually and as a member of the "Aviator" ensemble, and in 2007 for "Blood Diamond" and individually and as a member of the "Departed" ensemble. Jean Dujardin, "The Artist" French star Jean Dujardin, who until recently was virtually unknown in the U.S., is a charismatic presence in "The Artist," an original, lyrical, and at moments haunting valentine to American filmmaking traditions in general and silent films in particular. "The Artist" is a silent film and the perfect vehicle for the story being told.Set in Hollywood in 1927, it recounts the troubled life of a flamboyant silent-film star, George Valentin (Dujardin), a matinee idol adored by millions. When talkies become the rage, he is incapable of adapting and becomes obsolete overnight. As he grows increasingly despairing, isolated, and unemployable, his wife (Penelope Ann Miller) dumps him, the stock market crashes, and he loses his home. Simultaneously, the star of his young protg (Brnice Bejo) is rising. Matters are complicated by the fact that he has fallen in love with her.Dujardin is at once delightful, charming, and poignant in evoking Valentin's helplessness as he tries to contend with a world that has left him behind. Without his saying a word, his frustration and disbelief are evident. Dujardin pays homage to, and affectionately parodies, such actors as Clark Gable, Douglas Fairbanks Jr., and perhaps William Powell, even as his Valentin goes from star to beaten man. With each blow, his self-esteem deflates; his ramrod-straight, shoulder-back posture slumps; his swaggering gait becomes a shuffle. But it's his evolving relationship with the young woman that's most striking. Initially he's slightly condescendingattracted to her though he may bebut in the end he's deeply grateful and moved by her love and determination to help him.For this performance, Jean Dujardin has also been nominated for a Film Independent Spirit Award and a Golden Globe Award. Brad Pitt, "Moneyball" The transformation of "Moneyball," from Michael Lewis' landmark book about statistical analysis in professional baseball to a classic underdog film tale innovatively told, was a long and arduous one. As a producer, Brad Pitt played a central role in that transformation. But it's as an actor that he did the most to turn what could have been a jumbled mess of a film into an excellent big-screen experience.As Billy Beane, the real-life washed-up ballplayer who went on to become the general manager of a washed-up major league franchise, Pitt is the beating heart of the movie. In any film, that's quite a burden for an actor. In "Moneyball," it's the kind that can only be borne by a top-flight professional fully committed to the work. Lewis' book is essentially about numbers and the men who crunch them. Pitt's job is to make us care about a number cruncher.In the film, Beane is a little petulant, a little charming, a little cocky, and a little self-effacing. Pitt has proved he can be all those things, but here he resists the urge to go big with any one of them. The result is a beautiful and complex character, one so human that you find yourself rooting hard for him. Not just for his team to win, but for him to find peace, success, some modest form of happinessall the things that we want for ourselves and our loved ones. In the hands of a lesser actor, Beane, and by extension "Moneyball," could have been grating or boring. Thanks to Pitt, it is none of those things.For this performance, Brad Pitt has won a NY Film Critics Circle Award and has also been nominated for a Golden Globe Award. He won a SAG Award in 2010 as a member of the "Inglourious Basterds" ensemble and was nominated in 2007 as a member of the "Babel" ensemble and in 2009 individually and as a member of the "Curious Case of Benjamin Button" ensemble. Outstanding Performance by a Female Actor in a Leading Role Glenn Close, "Albert Nobbs" The annals of acting are replete with tales of actors cast mere hours before shooting began on their films. And, truth be told, many of those actors have expertly created their characters on the fly. But Glenn Close cleaved unto the role of Albert Nobbs almost 30 years ago, playing Albert in a theatricalization of George Moore's short story "The Singular Life of Albert Nobbs" and determining to bring the story to the screen.Albert is a woman forced by societal strictures to live life as a man. In 19th-century Ireland, she had two choices: the poorhouse or the reputable work of a butler. Disguising herself so fully that even she could lose track of her real self, Albert succeeded by completely disappearing into her role.Oh, yes, so does Close. The externals are exquisitely crafted. Close stands and walks like a man. She deepens her voiceand assumes a London accent. Her face is implacable. But her eyes fully reflect the inner life of Albert: the life of service, the unavoidable attraction to money, and, in the course of this film, the fear of discovery.Albert is a woman looking for courage. Close has courage to spare. This role she has cherished for three decades, representing women throughout historyand in the presentwho have had to hide their true selves, finds the best possible champion in Close and her finest work. For this performance, Glenn Close has also been nominated for a Golden Globe Award. She won a SAG Award in 2005 for "The Lion in Winter" and was nominated in 1996 for "Serving in Silence: The Margarethe Cammermeyer Story," in 1998 for "In the Gloaming," and in 2008, 2010, and 2011 for "Damages." Viola Davis, "The Help" When Viola Davis read Kathryn Stockett's popular novel "The Help," she knew she wanted to play Aibileen Clark, a maid working for a white family in Jackson, Miss., during the civil rights movement. In fact, Davis wanted to option the book to adapt it to film, but writer-director Tate Taylor beat her to it. Fortunately for Davis and for audiences, Taylor also had her in mind for the part.To prepare for the role, Davis poured herself into research about that chapter in history. In addition to watching documentaries, she turned inward to find the soul of her character. "I always have a vision of a person in my head," she says, "and that person was my mother and my grandmother, who when they walk into a room, nobody would ever notice themjust, in the most beautiful way, ordinary. I felt like I had to start with that. I had their experiences in my head, stories my mother had told me about my grandmother being a maid and herself being a maid. And everything else I just had to make up, use my imagination in terms of filling her out."Aibileen is the heart and the soul of the film and the book, and Davis brings to the role the emotional gravitas that makes this performance one of the best of 2011.For this performance, Viola Davis has also been nominated for a Golden Globe Award. She was nominated for SAG Awards in 2010 individually and as a member of the "Doubt" ensemble. Tilda Swinton, "We Need to Talk About Kevin" For roles ranging from the White Witch in the three "Narnia" films to the wealthy, repressed wife who is awakened by a young lover in "I Am Love" to the savagely ambitious attorney in "Michael Clayton," Tilda Swinton has come to be known for her stunning versatility and striking appearance.In "We Need to Talk About Kevin," she displays yet another facet as an anguished and conflicted mother realizing that her child (Ezra Miller) is evil. Without being heavy-handed, Swinton brings to life a woman who knows something is terribly wrong with her son, doesn't understand why, but clearly feels culpability and profound discomfort because she is unable to embrace him. Swinton creates a woman for whom not loving one's child is a taboo.The film also deals with the impact of the malign child on her family and marriage, and nowhere is Swinton's performance more multileveled than in her character's ambivalent feelings for her husband (John C. Reilly), who is in complete denial that anything is wrong with their son. She also evokes a woman of artistic sensibility who never wanted to leave the city and live in the suburbs to accommodate her children. Her growing feelings of resentment at how her life has evolved are also palpable throughout.For this performance, Tilda Swinton won a National Board of Review Award and has also been nominated for a Golden Globe Award. She was nominated for SAG Awards in 2003 as a member of the "Adaptation" ensemble, in 2008 for "Michael Clayton," and in 2009 as a member of the ensemble of "The Curious Case of Benjamin Button." Meryl Streep, "The Iron Lady" Meryl Streep is a sort of iron lady in her own right. She may not have the unwavering, controversial demeanor of Britain's only female prime minister, Margaret Thatcher, whom she effortlessly portrays in Phyllida Lloyd's film. But she is unconquerable in the acting field. Who was the last 62-year-old woman to open a movie at the box office?Well, if anyone can, it's Streep. Her strength as an actor is in her versatility and impeccable attention to detail. In "The Iron Lady," she captures Thatcher's idiosyncrasies with ease, from her subtle physicality to her uncanny accent. Though Streep stays true to Thatcher's stone-cold public persona, she also beautifully embodies some of the world leader's more vulnerable moments, creating a multifaceted portrayal. Streep also had to tackle the acting challenge of age makeup, as she portrays Thatcher from her early government days to her later years. Though the makeup is flawless, Streep almost doesn't need the faade to disappear into the character. She truly captures this woman's heart and becomes one with her in this performance.In December, Streep received a Kennedy Center Honor, and in a tribute her "Falling in Love" and "Marvin's Room" co-star Robert De Niro praised her work. Making light of her many award nominations, he said, "One fact that's keeping Meryl's average down is that she has to compete with Meryl Streep."For this performance, Meryl Streep won a NY Film Critics Circle Award and has also been nominated for a Golden Globe Award. She won SAG Awards in 2004 for "Angels in America" and in 2009 for "Doubt." She was nominated in 1995 for "The River Wild," in 1996 for "The Bridges of Madison County," in 1997 as a member of the "Marvin's Room" ensemble, in 1999 for "One True Thing," in 2000 for "Music of the Heart," in 2003 as a member of the "Adaptation" and "The Hours" ensembles, in 2007 for "The Devil Wears Prada," in 2009 as a member of the "Doubt" ensemble, and in 2010 for "Julie & Julia." Michelle Williams, "My Week With Marilyn" Few roles are likely as daunting as Marilyn Monroe, but Michelle Williams is not an actor to shy away from a challenge. The highly versatile thespian is no stranger to difficult parts or to melting seamlessly into her characters, and her portrayal of Monroe in "My Week With Marilyn" is no exception. Despite a varied rsum that includes acclaimed performances in "Wendy and Lucy" and "Blue Valentine," Williams' work in this film, equal parts boldly magnetic and subtly troubled, may be her most daring yet.The film focuses on the period in 1956 when the American screen icon went to England to shoot "The Prince and the Showgirl" with British star Sir Laurence Olivier (a dead-on Kenneth Branagh, also SAG-nominated for his performance). It's a tough shoot, mostly stemming from the caprices of the mercurial and magnetic Monroe. The charming star befriends a young man working on the set (Eddie Redmayne), winning his affection and giving him a glimpse of the person behind the name "Marilyn Monroe."Williams is magical onscreen, capturing the essence and presence of a woman so ingrained in our culture that we may feel we already know her. Whether performing a classic Monroe dance number or quietly confiding the star's painful childhood, Williams glides from glamour to vulnerability with believable and captivating ease. Her performance combines the iconic persona with a constant underpinning of reality, leading to a multifaceted portrayal that is as recognizable as it is multidimensional and fascinating.For this performance, Michelle Williams has also been nominated for a Golden Globe Award and a Film Independent Spirit Award. She was nominated for SAG Awards in 2003 as a member of the ensemble of "The Station Agent" and in 2006 individually and as a member of the "Brokeback Mountain" ensemble. Outstanding Performance by a Male Actor in a Supporting Role Kenneth Branagh, "My Week With Marilyn" Considering the numerous and long-standing comparisons made between Kenneth Branagh and Laurence Olivier, it feels only fitting that the versatile and renowned British actor should bring his artistic predecessor to life onscreen. Furthermore, given Branagh's lengthy and excellent career, it's little surprise that the man who has embodied characters ranging from Hamlet to Gilderoy Lockhart (in "Harry Potter and the Chamber of Secrets") should do such a pitch-perfect job with Olivier.In "My Week With Marilyn," Olivier finds little but headaches after Marilyn Monroe (a glowing Michelle Williams, also nominated for a SAG Award) comes to England to star with him in the ironically lighthearted film "The Prince and the Showgirl." The production is fraught with difficulty, as Olivier's classical approach clashes head-on with the newer, Method tactics of the capricious and oft-delicate Monroe. Olivier gets some reprieve after his leading lady questionably befriends a lesser member of the production staff, but he must acknowledge that as difficult as she is to work with, she may be a star well worth the trouble.Branagh pinpoints the iconic Olivier and delivers a performance that sheds equal light on his talent and his intensity. Swiftly moving from funny to ferocious, Olivier is full of life and an admirable match for Monroe. His exasperation with her process creates electricity between the two, and even as the conflict between old and new, English and American, causes his irritation to bubble over, it is captivating. Branagh's own talents are displayed full-force as he creates a character both true to a familiar image and illustrative of what lies beneath.For this performance, Kenneth Branagh is also nominated for a Golden Globe Award. He was nominated for SAG Awards in 1996 for "Othello" and in 2006 for "Warm Springs." Armie Hammer, "J. Edgar" Leonardo DiCaprio may have the plum title role in director Clint Eastwood and writer Dustin Lance Black's biopic "J. Edgar," but the film relies on Armie Hammeras FBI director J. Edgar Hoover's inseparable right-hand man and likely longtime lover, Clyde Tolsonfor its subtext and its soul. The love that dare not speak its name suffuses scene after scene between the two men, ever present in Hammer's adoring eyes, whether they're shining out of an impossibly handsome and youthful face or penetrating a somewhat artificial, eight-hour old-age makeup job.Hammer is equally adept at capturing Tolson's unthinking acceptance of his privileged place in an America still ruled by the white Anglo-Saxon Protestant elite, which explains his conservatism and conventionality and provides the necessary frisson of tension between those values and his forbidden feelings for Hoover that drive the film. That tension explodes only once, in the film's centerpiece scene, in which the two men give voice for the one and only time to the true nature of their relationship, after Hoover floats the idea of acquiring a Mrs. Hoover. In the hotel suite they share, Hammer's Tolson goes from zero to 60 in the face of such imminent betrayal, full of deeply wounded loyalty, savage need, and naked desperation. The shocking violence that results feels horribly human and absolutely right, even though the scene is, of necessity, a speculation.It's also terribly moving, thoroughly conveying the wasteful and warping damage that society has done through its blind bigotry against two formidable men who might have left a very different legacy if allowed to be who they were.Armie Hammer was nominated for a SAG Award in 2011 as a member of the ensemble of "The Social Network." Jonah Hill, "Moneyball" The role of Peter Brand in "Moneyball" is deceptively important. At first glance, Brand serves mainly to move the plot along: to introduce Brad Pitt's Billy Beane to the underground geek world of baseball sabermetrics, then to serve as his guiding voice, comic foil, and sounding board. But just as Pitt must make the audience connect with a privileged dude who has one of the coolest jobs in the worldgeneral manager of a major league ballclub, a dream gig for millions, even if that club is the Oakland AthleticsHill must bring life to a guy whose distinguishing characteristics are a love of stats and a tendency to be very quiet in group settings. "Superbad" this is not.Anyone who was surprised by Hill's turn in "Moneyball" missed 2010's "Cyrus," a dark comedy in which Hill, as the title character, moves gracefully back and forth between spoiled brat and wounded child in need of protection from the world. The guy's chops have been evident to anyone paying attention. This is just a case of the right actor in the right role at the right moment.Playing Beane, Pitt rightly never forgets that his character is an ex-jock. Brand, a nerd for life, is the other side of that coin, but Hill plays him in a similar way. No matter how much success he finds alongside Beane, no matter how well he acclimates to life as a boss in a big-league clubhouse, he is an outsider. That's why the audience embraces himbecause we are, like Brand, outsiders invited in for a look around.For this performance, Jonah Hill has also been nominated for a Golden Globe Award. Nick Nolte, "Warrior" Nick Nolte turned 70 this year, which might surprise people for a variety of reasons. To gaze upon his craggy, careworn visage is to know the truth of Camus' famous line "After a certain age, every man is responsible for his own face."In "Warrior," Nolte plays Paddy Conlon, the estranged alcoholic father of brothers Tommy and Brendan, played by Tom Hardy and Joel Edgerton respectively. In the opening scene, Tommy shows up on Paddy's doorstep, fresh from a tour in Iraq and keen to confront him about his past. The viewer understands quickly that Paddy has much to atone for. Each cutting remark, each slight Tommy directs toward his father lands on Nolte's face like a slap, and he accepts each with only minimal complaint. Like the Cybelene priests who whipped themselves bloody, Paddy accepts each barb as a necessary penance for his past sins.Later, when Tommy's rebuffs and insults finally drive Paddy back to the bottle, Nolte turns in one of the most heart-rending scenes in cinema this year, tearfully pleading with Captain Ahab to "stop the ship" as he leads the Pequod into ever more remote waters in search of the white whale (Paddy has been listening to "Moby Dick" on tape throughout the film). "Warrior" director Gavin O'Connor referred to Nolte as a "national treasure," and it's easy to see why after watching this performance.Nick Nolte was nominated for SAG Awards in 1999 for "Affliction" and in 2005 as a member of the ensemble of "Hotel Rwanda." Christopher Plummer, "Beginners" Mike Mills' nonlinear, autobiographical indie film, whose story plays out simultaneously in three time frames while employing minimal dialogue and lots of visual subtext, definitely needed something to anchor it. Mills found that something in Christopher Plummer's stellar work as Hal, a 75-year-old man who comes out as gay to his son, Oliver (Ewan McGregor), after the death of his longtime spouse (and Oliver's mother) from cancer. Hal plunges into a celebration of his sexuality and finds a lover, only to suddenly also face cancer, which cuts his newfound happiness and freedom mercilessly short.Mills is more interested in the unmarried Oliver's difficulties with emotional commitment and how they are affected by his relationships with his father and late mother than he is in Hal's story, but Plummer's vivid portraitjoyous, unsentimental, rigorously honest, completely devoid of self-pitycommands attention even when he is not onscreen. A great stage actor of bravura technique thoroughly at home in Shakespearean and other classical roles, Plummer is also a master of the kind of emotional minimalism that the camera requires, conveying his character as much through facial expression and physicality as through spoken lines.As he told Back Stage in a recent interview, "Movies are great when the writer knows how not to write and lets silence take over. Movies really should have as little dialogue as possible." For Plummer, silence has been golden.For this performance, Christopher Plummer won a Los Angeles Film Critics Association Award, a National Board of Review Award, and a Gotham Award as a member of the film's ensemble. He is also nominated for a Film Independent Spirit Award and a Golden Globe Award. He was nominated for SAG Awards in 2002 as a member of the ensemble of "A Beautiful Mind," in 2006 for "Our Fathers," and in 2010 for "The Last Station." Outstanding Performance by a Female Actor in a Supporting Role Brnice Bejo, "The Artist" Despite being the wife of director Michel Hazanavicius, Brnice Bejo was an inspired choice to play the youthful and spirited love interest in "The Artist," a black-and-white silent film set in the era of black-and-white silent films. The Argentine-born French actor is the fully realized embodiment of Peppy Miller, an eager starlet whose ambition is to be in pictures. At the outset, Peppy is wonderfully naive, trusting, and adoring, especially in relationship to matinee idol George Valentin (Jean Dujardin). But as her fortunes change and she becomes a star, she matures and, instead of growing aloof and self-satisfied, becomes compassionate, empathic, and wise beyond her years.As talkies take over and George finds himself unemployable and impoverished, Peppy is desperate to help him but knows she must do it discreetly. When he is forced to auction off his belongings, she gives her servants the funds to purchase them at the highest possible bid. She's thrilled to be storing his prized possessions and even more satisfied in having shielded his feelings. In her evolving relationship with George, she is every bit the morale booster, cheering him on and encouraging him as she tries to land him auditions. At one point, she even attempts to blackmail a studio head (John Goodman) on George's behalf, and she finally becomes his career savior when she partners with him in a dance number.The film's dramatic elements notwithstanding, Bejo is a fine comic actor, capturing the style, tone, and rhythm of silent films.For this performance, Brnice Bejo has also been nominated for a Golden Globe Award. She is also nominated for a SAG Award as a member of the ensemble of "The Artist." Jessica Chastain, "The Help" In 2011, it was Jessica Chastain's world and the rest of us were just living in it. She gave outstanding performances in no fewer than six films, creating distinct and memorable women in each. The childlike mother in "The Tree of Life" was nothing like the Mossad agent in "The Debt." She also brought to life a tough-as-nails detective in "Texas Killing Fields," a concerned wife in "Take Shelter," and a conflicted military spouse in Ralph Fiennes' updating of Shakespeare's "Coriolanus."But she is nominated for a SAG Award for her funny and touching portrait of the socially inept, slightly trashy, but ultimately adorable newlywed Celia Foote in the hit adaptation of "The Help." In a cast of powerful performers such as Viola Davis, Octavia Spencer, Emma Stone, Bryce Dallas Howard, and Allison Janney, Chastain manages to hold her own and even steal a few scenes.When the snooty ladies of her small Southern town coldly reject Celia's attempts to join their select circle, Chastain skillfully imparts the character's hurt feelings and the brave front she puts up to hide them. Celia could have easily been played as a comic caricature of a dumb blond, but Chastain gives her a loving heart and a fiery spirit.For this performance, Jessica Chastain won a NY Film Critics Circle Award (she was also cited for her work in "Take Shelter" and "The Tree of Life") and a Los Angeles Film Critics Association Award (for all six of her 2011 films) and has also been nominated for a Golden Globe Award. She is also nominated for a SAG Award as a member of the ensemble of "The Help." Melissa McCarthy, "Bridesmaids" At this point last year, Melissa McCarthy's brand-new CBS sitcom, "Mike & Molly," was just finishing its initial 13-episode run (it had been picked up for a full season in October) and "Bridesmaids" was still five months from being released in theaters. If you'd never heard of her, you wouldn't have been alone. But this year, if you don't know who Melissa McCarthy is, you are very lonely indeed.To call her performance in "Bridesmaids" a breakout would be selling her short. She plays Megan, the crass, brassy, soon-to-be sister-in-law of Maya Rudolph's Lillian. Plying her trade among a formidable lineup of comedic talentincluding Rudolph, Kristen Wiig, Wendi McLendon-Covey, and Ellie KemperMcCarthy manages to turn in the film's most unforgettable performance. In one scene, she shamelessly throws herself at a fellow airline passenger (played by her real-life husband, Ben Falcone), tossing out lines that would make a stripper clutch her pearls. And few sights were funnier or more charming last year than McCarthy giddily driving off with a van full of puppies.But perhaps her most memorable scene takes place in the bathroom of a bridal salon, where, after an ill-advised, pre-fitting meal, the entire bridal party runs into some intestinal issues, at which point Megan seeks release atop the only unoccupied piece of porcelain: the sink. Probably a first for the SAG Awards: a nomination based at least in part on how hilariously an actor can fake an attack of explosive diarrhea, but well-deserved all the same.For this performance, Melissa McCarthy is also nominated for a SAG Award as a member of the "Bridesmaids" ensemble. Janet McTeer, "Albert Nobbs" In filmdom, the hero often needs a strong shoulder to lean on. In the case of Glenn Close's near-to-her-heart project "Albert Nobbs," Albert's bosom buddy is Hubert. And, we're sorry to spoil the surprise, but Hubert is played with great cheer, wisdom, and skilled physicality by Janet McTeer.The British actor can regally play a monarch (Mary Stuart on Broadway), a chancellor of the exchequer ("The Amazing Mrs. Pritchard"), and an Austenian matriarch ("Sense and Sensibility"). But here she turns her ample talents to limning a low-status woman forced by 19th-century Irish culture to live as a man. Not content merely to deepen her voice, assume a plodding walk, and sit with splayed legs, McTeer delves into the inner life of a woman handyman who turns a quick paint job into a relatively lucrative gig at the hotel where Nobbs (Close) works as a butler. Forced to share a bed one night, the two women discover each other's secret identityAlbert feeling terror-struck, Hubert thoroughly relishing the chance to open Albert to new possibilities.The role is splashier than Close's, but the work is as detailed, charming, and heart-rending. Hubert has grown content with her outer shell and with finding companionship in another woman after having been brutalized by her husband, reflected in McTeer's imperceptible prosthetic "broken" nose. McTeer is vibrant in her every scene, creating a powerful presence much needed at this frightening time of Albert's life. And though Hubert is blue-collar, McTeer is once again a magnificent queen.For this performance, Janet McTeer has also been nominated for a Film Independent Spirit Award and a Golden Globe Award. She was nominated for a SAG Award in 2000 for "Tumbleweeds." Octavia Spencer, "The Help" If there is a feel-good story this awards season, it would have to be Octavia Spencer, who, until getting cast as the strong-willed Minny Jackson in the film adaptation of "The Help," was Hollywood's best-kept secret and a gem in smaller supporting parts. Spencer has long been a scene stealer ("Bad Santa," anyone?), but here she takes it up a notch and has some of the best moments in the film, opposite Viola Davis, Jessica Chastain, Bryce Dallas Howard, and Sissy Spacek.In one of the funniest scenes, Minny delivers a special homemade pie to the despicable Hilly Holbrook (Howard), the employer who unfairly fired her. It's a great moment in the book but an even better one onscreen, thanks to Spencer's deadpan delivery. Though a gifted comedic actor, Spencer proves to be much more in this film, as the scenes depicting Minny's difficult home life are likewise superbly played.Kathryn Stockett, who wrote the novel "The Help," and Tate Taylor, who wrote and directed the film, were personal friends of Spencer before this project came her way. Some have even speculated that Minny is based on Spencer, something the actor denies. "That would be a disservice to Kathryn, who built this amazing character," she told Back Stage. But Spencer and Minny have things in common, she added. "I say it jokingly, but it's true: Minny is short and round; I am short and round. Minny speaks her mind all the time; I don't have a problem speaking my mind." Regardless, this role fits Spencer like a glove and has catapulted her to the next level in her career.For this performance, Octavia Spencer has also been nominated for a Golden Globe Award. She is also nominated for a SAG Award as a member of the ensemble of "The Help." Outstanding Performance by a Cast in a Motion Picture "The Artist" In "The Artist," an imaginative silent film about the world of silent films and their decline as talkies become the trend, the ensemble acting is unforgettable. The actors work together beautifully to create just the right mix of melodrama, romance, and comedy, which meshes brilliantly with the silent-film conventions. The performances, especially from leads Jean Dujardin and Brnice Bejo, are uncanny and nuanced. Without dialogue that can be heardthough we see the actors talkingtwo layers of acting are in operation: the theatrically heightened performances of actors playing actors in front of the camera and the more realistic scenes in which actors play actors interacting among themselves. But the latter sections still subtly suggest silent-film conventions.As the silent-film star Valentin, Dujardin is sensitive and appealing as his character contends with a Hollywood that has abandoned him for actors who can talk. Bejo is splendid as a young actor on the make who's happily floored by her burgeoning career, wealth, and status but who cannot ignore the plight of her beloved mentor. Playing a bombastic producer, John Goodman is spot-on, as is James Cromwell as Valentin's loyal driver, whose stiff reserve belies genuine affection for his employer. Penelope Ann Miller is convincing as the star's beleaguered wife, who comes to understand that she's redundant in her marriage and refuses to tolerate it any further. The interactions among all the characters are touchingly and comically vivid and alive.Jean Dujardin and Brnice Bejo are also individually nominated. "Bridesmaids" Who says women aren't funny? The diversely talented cast of "Bridesmaids" certainly put that misogynistic rumor to bed with its $288 million international box office gross, replacing "Sex and the City" as the top R-rated female comedy of all time. But don't let the title fool you. The film doesn't resort to romantic-comedy clichs, and producer Judd Apatow (of "Knocked Up" and "The 40-Year-Old Virgin" fame) infuses just as much gross-out humor as he does with the boys. "Saturday Night Live" star Kristen Wiig, who also co-wrote the screenplay, leads the ensemble as lost 30-something Annie, who hits bottom after her cake business goes bankrupt. When her childhood best friend Lillian (Maya Rudolph) asks her to be her maid of honor, Annie is joined by a ragtag gang of misfit bridesmaids on a series of pre-wedding misadventures.The chemistry of this talented cast makes the movie's humor work so well. Rose Byrne makes spoiled rich socialite Helen entirely detestable yet also relatable. Ellie Kemper is bright-eyed as the naive newlywed Becca, and Wendi McLendon-Covey is hilarious as Rita, the sex-crazed mother of three boys. Rudolph is surprisingly subtle as Lillian and shares a great onscreen connection with Wiig. Melissa McCarthy delivers the performance of a lifetime as Megan, the groom's vulgar and lovable sister, and she steals every scene she's in. Jill Clayburgh provides wonderfully dry humor as Annie's mom. Adding a little testosterone to the mix, Chris O'Dowd delivers a breakthrough performance as the charming Officer Rhodes, who pursues Annie despite her insecurities, and Matt Lucas is entertaining as her boundaries-challenged British roommate.Ultimately, this brilliant cast takes a group of contrasting characters and accentuates their best and worst characteristics to create one of the funniest movies of the year.Melissa McCarthy is also individually nominated. "The Descendants" "The Descendants" is a family drama with comic elements that gives most of its actors, even those in small roles, the chance to shine. Some have limited screen timesometimes only one or two scenesbut the acting is so three-dimensional, the scenes have impact. At the center of the Alexander Payne film is George Clooney as a complex man who finds himself responsible for two young daughters after his wife endures a terrible accident and is placed on life support. Clooney's self-absorbed executive is a layered figure who is forced by circumstances to become a responsible and loving father. In addition, he grows civic-minded for the first time in his life. It's a sophisticated bit of acting.Almost as memorable is Shailene Woodley, playing an enraged teenage daughter whose ambivalent feelings toward her parentsespecially her dying motherare powerful. It is a breakthrough performance for a young actor who until recently had been identified with a family TV series, "The Secret Life of the American Teenager." Robert Forster, Judy Greer, Matthew Lillard, Beau Bridges, and Nick Krause are also standouts: Forster as the dying woman's father, who holds his son-in-law responsible yet knows he has to control his emotions; Lillard as a sleazy but guilt-ridden philanderer; Greer as the betrayed wife who abhors the dying woman and tries desperately to pretend she doesn't; Bridges as a greedy hillbilly; and Krause, at once repulsive and fetching as the ever-present, none-too-bright teenage boyfriend. The actors are splendid in merging dramatic and comic emotions that turn on a dime.The ensemble received a Gotham Award nomination, and George Clooney is also individually nominated for a SAG Award. "The Help" When Kathryn Stockett wrote her first novel, "The Help," she gave a great gift to the women who would eventually play her characters in the Tate Taylordirected film adaptation. Set in Jackson, Miss., during the civil rights movement of the 1960s, it tells the fictional, moving, sometimes funny story of an aspiring white writer named Skeeter, who sets out to document the lives of African-American maids in her community, setting off a firestorm of controversy and dialogue.At the heart of "The Help" is Aibileen Clark, the narrator and the first black maid to agree to help Skeeter. Viola Davis shines as Aibileen, bringing strength, dignity, and emotional depth to the character. Emma Stone, though not the actor most fans of the book would have envisioned as Skeeter (based on Stockett's physical description of her), does immense justice to her role. Rounding out the outstanding cast are the scene-stealing Octavia Spencer as Aibileen's friend and fellow maid, the headstrong Minny Jackson; Jessica Chastain as the beautiful, ostracized outsider Celia Foote; Bryce Dallas Howard in a comedic turn as vindictive, racist snob Hilly Holbrook; Sissy Spacek as Hilly's aging mother; Ahna O'Reilly as Aibileen's boss and Skeeter's old friend, Elizabeth Leefolt; and Allison Janney as Skeeter's pesky but loving mom. Though there are men in supporting roles, the women of "The Help" are the driving force.Though the set could have turned into a battle of egos, Davis told Back Stage that it was anything but that: "It was one of those dream situations," says Davis. "Usually [other actors] don't want to encourage you to do your best work, because they feel it is a reflection of what they're not doing or their failure. [But on 'The Help'] my excellence was their excellence."Viola Davis, Jessica Chastain, and Octavia Spencer are also individually nominated. "Midnight in Paris" One of the hallmarks of Woody Allen's films has been the precision of their casting. Allen and his longtime casting director, Juliet Taylor, always find the right actor to mine the maximum comedy and drama from the auteur's sometimes zany, sometimes achingly real creations. As a result, actors from big-name stars to reliable character performers clamor to be in Allen's movies. In his latest, "Midnight in Paris," a clever time-travel fantasy, the writer-director has crafted a galaxy of outlandish characters, which a magnificent and diverse cast infuse with equal parts lunacy and humanity.The center of this wacky solar system is Owen Wilson's screenwriter Gil, who longs to relive the glamour of the French capital in its 1920s heyday. When Allen doesn't play the protagonist, the lead actor has the challenge of not sounding like a Woody stand-in, and Wilson manages to avoid this pitfall and lend his unique puppy-dog, surfer-dude sensibility to the idealistic hero. Rachel McAdams is deliciously nasty as Gil's materialistic fiance, Inez, and Marion Cotillard is sweetly seductive as an elusive figure from the past. There are also surprises, with the usually sympathetic and smooth Michael Sheen as a pompous know-it-all and French first lady Carla Bruni as a tour guide. But the crowning glory of "Midnight in Paris" is the colorful parade of personalities from the Roaring '20s. Kathy Bates makes a no-nonsense Gertrude Stein, Corey Stoll a virile and rugged young Ernest Hemingway, Tom Hiddleston a charming and dissolute F. Scott Fitzgerald, Alison Pill a bubbly and volatile Zelda Fitzgerald, and Adrien Brody an eccentric and playful Salvador Dal.

Liza Minnelli to Guest-Star on Hot in Cleveland

Liza Minnelli Liza Minnelli is about to get Hot in Cleveland. The 65-year-old Oscar-winning actress will appear in an episode of the TV Land comedy as the agent of Victoria Chase (Wendie Malick), TVLine.com reports. Clearly, Judy Garland's daughter has her work cut out for her. Check out the rest of today's news Minnelli's appearance, which is slated for sometime during Season 3, joins a long line of legendary actors who have guest-starred on Hot in Cleveland, including Mary Tyler Moore, Carl Reiner and Susan Lucci.

L.A. prod'n increases 5.7% this year

Hollywood's offlot manufacture of features rose 5.7% this year but TV activity slid 2.7% because of a disappointing fall production season as runaway production required its toll on local shoots. Enabling agency FilmLA reported Tuesday that overall offlot production elevated 4.2% this past year to 45,484 allowed days. FilmL.A. leader Paul Audley stated the location can't rely on TV being shot in La. "When we're relieved to determine annual gains in overall production days, we can't take any growth as a given,Inch Audley stated. "We should battle to keep and get more movies and-value television series to help keep our vendor companies and deck hands working and our region's economy afloat." Feature production totalled 5,682 days using the 5.7% yearly boost due largely to some 50% surge within the third quarter 4th-quarter production stepped 26%. Films that qualified for that California Film & Television Tax Credit Program produced 652 days within the La region this past year -- 11.5% from the annual total. The most known feature to shoot in La was "Magnus Rex" -- really the place reputation for Christopher Nolan's "The Dark Dark night Increases." Other films of note to shoot in your area incorporated "A Glimpse Within the Mind of Charles Swan III," "Argo," "Smashing the Girl," "Cyber Planet," "Decoding Annie Parker," "Gangster Squad," "My Mother's Curse," "Savages," "Seven Psychopaths," "Sports Camping," "Think Just like a Guy," "This Really Is 40," "We've Your Husband" and "Thanks for visiting People." Television -- the biggest element of offlot production -- rejected by nearly 500 days to 17,349 days. The 4th quarter symbolized the greatest decline, posting a ten.6% drop because of losing 10 one-hour TV drama series with other states, with FilmL.A. observing the condition of NY is getting an archive TV season because it provides more than four occasions the quantity of funding obtainable in filming tax credits than does California. L.A.-area production within the advertisements category elevated 4.4% to 7,079 days, setting an annual high by topping the 2005 record by 96 days. The "other" category, which inlcudes musicvids, rose 12.% to fifteen,374 days. Overall offlot production still lags the 2008 total of 47,117 allowed days but has enhanced in the 2009 total of 37,979 days. Calfornia Assemblyman Felipe Fuentes is developing legislation that will extend California's film production incentive program, and that he stated he intends to introduce a bill within the approaching legislative session. The 4-year-old program has allotted $400 million of credits and can allocate another $100 million in This summer plus another $100 million to become allotted in This summer 2013. California's program, that provides a maximum rebate of 25%, is way more compact than individuals of other states. NY introduced in August that the record 23 series were lensing within the condition around the heels of their legislature's five-year renewal from the film incentive tax program there, that provides a 30% refundable condition tax credit, assigned at $420 million each year NY City provides an additional 5% refundable credit, assigned yearly at $$ 30 million. Contact Dork McNary at dork.mcnary@variety.com

Glam Slam: January Hot List

First Published: January 2, 2012 1:55 PM EST Credit: FOX Caption American Idol - Randy Jackson, Ryan Seacrest, Jennifer Lopez & Steven TylerLOS ANGELES, Calif. -- Happy New Year! Hope you had a wonderful holiday season. Here are a few ways to kick off 2012 in high style! AWARD SHOW FASHION Award Show season kicks off this month with The Golden Globes. The 69th Annual Golden Globes Awards hosted by Ricky Gervais airs Sunday, January 15 on NBC. The 18th Annual Screen Actors Guild Awards airs Sunday, January 29 on TBS and TNT. J.LO AND THE GANG ARE BACK. Get ready for another fashion parade from Jen when Idol returns! Steven Tyler and Randy Jackson are also back in the hot seat and you can check out all the action (and J.Los ever-changing wardrobe) starting January 18 on FOX. FASHION TV Project Runway All Stars debuts January 5 on Lifetime. 24 Hour Catwalk is a new fashion competition show hosted by Alexa Chung premiering January 10 on Lifetime. In Its a Brad, Brad World Rachel Zoes former assistant Brad Goreski gets his own reality show as he makes a name for himself as a stylist. Debuts January 2 on Bravo. GUILTY PLEASURE The Bachelor returns! Ben Flajnik, whose proposal to Ashley Hebert was rejected on The Bachelorette, is looking for love again. The 28-year-old businessman will romance a new batch of ladies on the show, which returns to Monday nights on ABC starting tonight. FEMALE FRIENDLY FILMS Katherine Heigl is a bounty hunter tracking down a former cop on the run in the comedy One For The Money and Queen Latifah and Dolly Parton join forces to save their small-town gospel choir in Joyful Noise. Copyright 2012 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.